just_displaced | Open Post

Ned doesn't really know if Ginsberg was aiming to get a laugh with that, but he can't help it. It sounds exactly like the kind of thing he would do. He already recognizes Ginsberg's tendency to blurt whatever is on his mind; it takes one to know one. So the sympathetic look on his face slips for a moment into a bright smile, the corners of his eyes crinkling to make room for it.

"It's not your fault." Well, some people might say it is, but Ned's not one of them. He leans against the table, coffee pot held in one hand, forgetting it's there, forgetting there are other customers he should be paying attention to, fruit in the kitchen that he was in the middle of cutting. It's not often that he falls into a conversation with one of his customers like this, so easily, despite the rather strange circumstances.

"You know this is probably going to sound horrible but I'm just going to say it: I kind of like it when there's a scene. It can get a bit-" and now he is the one tripping over his words, careening forward past hesitations and amendments and qualifications, "-well, you know... I mean, I love this job- I wouldn't trade it for the world, don't get me wrong, I've been saving up to open a place like this since I was... but that's not point. It can get a little monotonous. Bit of drama really spices things up."

Well, this is interesting. Ned isn't backing away from him in horror at his rambling, or attempting to make polite but meaningless and stilted conversation. No, he's actually responding with what sound like genuine thoughts, the kind of thoughts that aren't necessarily run past a filter before being blurted out. Ginsberg doesn't find many kindred spirits -- the ones he does find, he's inclined to grab onto with both hands and hold onto tightly. Maybe not physically. Grabbing Ned by the apron is probably a bad idea, and he's usually able to resist being quite that impulsive. Mentally, though, he's elated.

"I'm glad I could provide you the requisite drama to keep your job interesting. I mean, if I hadn't been here, you'd've had to settle for the guys that're over there discussing the election, and they're not going to be throwing any pie, they'll just be throwing dirty looks. Or if you'd've gotten a little luckier, you might have had a customer who wasn't satisfied with anything, and kept sending stuff back, but then that'd be dragging you directly into the drama, and maybe you prefer to be a casual observer. On the other hand, you're kind of mired in my drama now, since you helped me get the lemon meringue pie off my face, so maybe I should apologize for that."

Or maybe he should just shut up. Now he's really rambling.. "Jesus Christ, sorry, I sound like a lunatic."

Ned doesn't even dignify that concluding apology with a reply, though a faint furrow makes its way between his brows. He's so often the one making that sort of conversational gesture that it's momentarily strange to be on the other side of it. Rather than reassure this man that he doesn't sound like a lunatic at all, he merely keeps talking to him: that's a vote of confidence of an entirely different kind.

"Normally I'm not the kind of guy who likes getting mired, but I'm not sure I mind so much in this case. Though if she comes back for another parting shot, I will be running into the kitchen and pretending we never had this chat." He smiles, thinks that he should leave it at that. Say something about enjoying the rest of his stay and go. Ned looks up, sees that there are coffee cups that need filled. But something weighs his feet down like lead, makes him linger.

"And that's not likely," he says in a lower voice. For one thing, he doesn't want this to be overheard by any of the other customers, who are thankfully not sitting all that close. He also wants it to come out sounding suave or at the very least flirtatious, but that's a little more challenging considering the hint of nervousness that's coming over him, "Your scenario about a picky customer sending back the pie. No one sends back my pie." Ned says it as if it's a fact, rather than a boast. "You just don't know that because you haven't eaten any yet." He looks pointedly to the untouched pie on the man's plate.

"She won't be coming back. I think I seriously insulted her when I told her I thought Richard Nixon was a sleazy conman. But anyone who gets offended on Nixon's behalf isn't my kind of person, anyway. I guess I know who she'll be voting for in the next election. But if she does come back, you're welcome to hide from her. I might hide under the table."

That whole thing about not discussing politics after just meeting someone? He's apparently broken that rule again, for the second time in less than fifteen minutes. Ned, on the other hand, isn't his hapless blind date. He's the guy who owns the pie shop, and he's actually staying and talking, instead of running off and getting back to his work. If there's a certain sense of confusion on Ginsberg's face, it's because of that -- most people don't stick around and talk much, not once he gets to his babbling stage, anyway. Sure, people at work do, but that's because they're paid to deal with him, and because he comes up with some damn good stuff, somewhere amidst all the babbling.

He follows Ned's gaze to the untouched pie and gestures at it sheepishly. "Yeah, I was kinda... I get nervous, and then I can't eat. But I'll try it right now, so that I can make sure you're not just bragging. I mean, you sound pretty sure of yourself, but maybe you're just an accomplished bullshitter."

That said, he takes a large bite of the pie, and an expression of something like bliss crosses his face. "Okay, okay, you weren't lying. You could make peace treaties using this pie alone. You could end wars. You could rule the world. That's a lot of power for one guy to have. I hope you use it wisely."

Ned does notice that he jumps straight to the politics once again, but since he's rather inclined to agree with Ginsberg's opinion, he doesn't mind. He's surprised the girl minded. He thought even the people who liked Nixon knew that he was a sleazy conman - just a sleazy conman with the same values they held. But apparently not.

His habit of hyperbole, interesting to Ned even up until this point, causes him to grin and duck his head at the extravagant praise that Ginsberg heaps on his baking. He knows it is good, but really. He can feel the heat touching his cheeks, but it's hard to care in the face of that vehement enjoyment and approval.

"Who would want to rule the world when they could own a pie shop?" he asks, and it's only partly rhetorical. It's obvious to him what the better career is. Emboldened, he ventures to ask, "Would you say it's an abuse of that power to ask, while you're still in awe, if you'd like to get a drink with me, after I close up?"

There. He'd said it. With plausible deniability, of course. If he's not interested, there's plenty of room for him to backpedal, say that he meant it in a purely platonic sense, obviously, what else could he have meant?

"I'd say that it might be an abuse of power but that I'd be inclined to accept the offer, so I don't really care if it's an abuse of power, but I'd also lay down the caveat that I have an incredibly low tolerance for alcohol and that if you give it to me, I'll probably say even more stupid shit, and eventually even you won't be able to deal with it, and you'll probably throw pie at me, too, and then I'll be two for two today."

He's not actually sure Ned seems like the pie throwing type. The guy makes the pies, after all, so he probably doesn't want to waste them. Then again, sometimes one has the overwhelming desire to throw one's own work -- Ginsberg had long had an unfortunate desire to pitch something out one of the office windows, just for the sake of doing so. Perhaps Ned has better self-control than that.

"In case that wasn't, um, an obvious acceptance, that's what it was."

This socializing thing is impossible. Will he ever truly get the hang of it?

Ned hadn't been sure it was a yes, until Ginsberg clarifies matters at the end. And that admission makes it easier for him to admit, "My tolerance isn't the best either." As for the danger of him saying more, as he puts it, stupid shit, Ned isn't sure why that is a bad thing. He likes honesty in other people, and this man's candidness is refreshing.

"The shop closes at 9. You're welcome to stay, or... leave and come back, I guess, whatever's easiest." And by now, the patience of the other customers is really wearing thin, and he can feel it. One woman in particular, in cat's-eye glasses, is balefully glaring in his direction from the opposite side of the shop. Before he goes, though, he adds in a rushed sort of way, "Oh and by the way I'm Ned."

"I'll, um..."

He checks his watch. It's seven forty five. He figures he can probably draw this piece of pie out for another hour and fifteen minutes, and besides, where would he go if he left? Back home, for his father to interrogate him about the blind date? That's not going to happen. Wandering aimlessly doesn't appeal to him, either. He can settle in right here, with his barely eaten piece of pie and his coffee, and draw ad ideas on the napkins. So he just smiles at Ned. "I'll stay."

When Ned introduces himself, he realizes he hadn't even bothered to do so himself. Oh well. It didn't seem that Ned had taken offense, but he'll rectify the mistake now. Knowing each other's names is a good first step towards making friends, right? That's how it starts out. "I'm Michael Ginsberg. But just call me Ginsberg. I mean, if you call me Michael, I won't realize you're talking to me, and then I'll look like an idiot, so I just stick to Ginsberg."

He really should let Ned get back to his customers, he realizes, so that somewhat stumbling introduction out of the way, he determinedly takes another bite of pie, and lets Ned rush off to take care of the disgruntled patrons who obviously aren't getting their coffee refills quickly enough.

"Ginsberg," Ned confirms, with a little nod, "Like the poet. Got it."

At which point he returns his attention to his other customers, though as the minutes tick by, he finds himself always aware of Ginsberg's presence there. He makes sure he never runs out of coffee, looks with interest at the little things he's sketching on the napkins but doesn't ask questions. Ned uses the time wisely, cleaning the kitchen before closing and making everything neat and tidy so that he'll be able to leave at the earliest possible moment. A few minutes before nine, the last other customer leaves, and Ned gets rid of his apron, pauses a minute where he can't be seen in the kitchen to try to straighten his hair, his shirt sleeves, make sure he looks presentable.

"So you're, what, an artist?" he asks, nodding to the rather large pile of scrawled-on napkins.

"Copywriter, actually," he responds, setting his pen down on the table and looking up at Ned as soon as he shows up. The time's gone by pretty quickly, and he's eaten all of the pie that had been in front of him, and drawn on quite a towering stack of napkins. "For an ad agency. Sterling-Cooper-Draper-Pryce-Cutler-Gleason-Chaough, and I only say the name of it so that you can appreciate how ridiculously long and unwieldy it is, and not as some kind of bizarre opportunity to brag about working for a prestigious agency. They're changing the name, though, thankfully. So that I don't have to gasp for air every time I tell someone where I work."

It's a chronic habit, this tendency to over-share information. Ned had only asked him what he did for a living, not asked him about where he worked or the whole history of the name, but as always, Ginsberg had offered up more information than was strictly necessary. He hopes Ned doesn't find that habit particularly irritating, because it's unlikely to go away anytime soon.

"I'd ask you what you do, but obviously you're the pie guy, so it'd be pretty stupid to ask."

Ned, for what it is worth, seems totally unfazed by the oversharing. In fact, he's glad for it. If Ginsberg had stopped at copywriter, he wouldn't have really known what that was. He's actually not all that sure still, but if it is for an ad agency, he assumes it has to do with advertisements.

"Funny," he says, hands in his pockets, heart beating a little faster than usual as he waits for Ginsberg to collect his napkins and things, opening the door for him and then locking it behind them, "I mean, you see ads all the time, but you never really think about the fact that there are people out there coming up with them. Or, uh. Well, I guess you think about it, obviously."

He pauses a moment on the sidewalk. Asking Ginsberg to join him for a drink hadn't extended as far as deciding where to take him. But it's cold, with a wind that bites into the skin, so he decides on the closest place he knows, starts in that direction.

"Is it a good job?" he asks, with simple curiosity.

Standing up from the table, he puts on his too-big plaid jacket and sticks his pen back in his pocket. Scooping up his napkins from the table, he takes a look at one or two of them, the ones that have really decent ideas on them, and then shrugs and shoves them all into the pockets of his coat. He'll sort them out later tonight, when he's all alone. For now, he's committed to actually having a conversation and a drink with Ned. Social interaction? Who'd've thought he was capable of it?

"Yeah, I think about it. I mean, I write the text for the ads. Slogans, scripts, commercials, that kind of thing. I don't do the art direction. I wouldn't know how. You might have seen or heard some of my stuff. I did some slogans for Jaguar, when we still had that account, and I've done a couple for airlines. Mine're usually the really provocative ones, the stuff the companies initially think is too shocking to print."

And, admittedly, a lot of his ideas never get past his creative directors, because they are too provocative. He figures there's no harm in pushing the envelope, though. That's what creativity is all about. Following Ned out the door, he frowns a little at Ned's question. That's a hard one to answer.

"I guess. It's all I've ever done. I didn't choose advertising, advertising chose me, as trite and job-interviewy as that sounds. It's what I'm good at."

Edited 2013-10-14 00:27 (UTC)

"It doesn't sound trite," Ned responds quietly, head ducked a little against the cold wind that is blowing towards them. It's clear just from hearing Ginsberg speak that he loves his job and is very passionate about it. This isn't polite small talk, explaining his career because it's the expected thing. It's different.

"I know how that feels. Not with advertising, but, uh, with pies." He's proud of what he does, but he's not sure it would seem all that impressive to a guy who does commercials for fancy foreign cars and airlines. It all sounds very glamorous, and Ned would be more intimidated if he had known about all that first, before he saw Ginsberg with pie all over his face.

"So what's the most provocative ad you ever did?"

"The most provocative ad I ever did, or the most provocative ad I ever got past my creative director? They're definitely two very different things. I mean, I'll try just about anything. You start really shocking, and then tone it down until they accept it. I did one for a kind of carpeting; the ad basically implied -- okay, it didn't imply, it kinda screamed out -- that these two people, you can imagine whoever they are, whoever you want, were so overcome by passion for their new carpet that they had sex right there and then. Right on the carpet. It went over pretty well. Between you and me, though, it was an ugly carpet. Not exactly an aphrodisiac."

He pulls his coat a little tighter around him, shivering slightly. His clothes are always too damn big, and that doesn't make for the most cozy of garments in weather like this. He'll be glad when they can get inside.

"Anyway. I'm glad I'm not the only one who has that feeling about something. Your pies are very good. I can tell you like making them."

Ned isn't sure what he was expecting, but the carpet ad doesn't sound all that shocking to him. Then again, maybe you had to see it to understand. There's something about the way Ginsberg speaks - so freely, with such conviction in his opinions, and a certain tone of taking one into his confidence - that Ned quite likes. Charisma, he thinks. That must be what it is. Makes sense, in someone who makes ads: he knows how to make people want to listen.

Well, maybe not his blind dates.

"What's not to like? Pie's the single easiest way to make people happy. When it's not being thrown in your face, that is." He smiles, and it's lopsided and just a touch shy, "You're probably better off, if she liked Nixon and ordered lemon meringue." There's a hint of scorn in his voice, and he explains, "You make enough pie and serve it to enough people, you start to see patterns in what sorts of people order what sorts of pie. Lemon meringue is always risky."

They round a corner and are at the bar Ned had in mind: it's a quiet place, tucked away, with low lighting and a TV set playing with the volume low, behind the counter. There aren't a lot of people around at the moment, and no one Ned recognizes.

"You psychoanalyze people through pie? Okay, I can see it. Makes about as much sense as any other way of doing it. What does it say about me that I ordered peach pie? Is that a good sign or a bad one? It must be an okay one, at least a neutral one, or you wouldn't be talking to me. Unless you have the habit of hanging around with terrible people. That's always possible."

He wonders if he should be noticing that he likes Ned's smile, and especially likes that it's not a mocking smile. He's been the recipient of enough mocking smiles in his life that he's learned to differentiate between genuine ones and teasing ones, and Ned's is definitely genuine. He likes that -- people are generally so damn disingenuous, he's never quite sure how to speak to them without offending them or making them uncomfortable.

He doesn't go to bars much, so he's never been to this one, but he's willing to follow Ned inside, looking around curiously. Of course, he immediately has to look at the TV and ascertain what program it's playing, and whether it'll be likely to be playing any of the ads he's had a part in. Wouldn't that be great, he thinks, if he could show Ned one of his ads on TV? That'd be impressive, right?

And why, exactly, does he want to impress this guy, anyway?

"It's my favorite," he admits, casually, picking a likely looking booth and heading over to take a seat. Ned notices that Ginsberg's attention flicks over to the TV, and he chooses the side that will allow him to continue looking at it, if he wants to. "That's, uh- why I invited you." Well, and other reasons.

Another wave of nervous, awkward energy sweeps over Ned. Maybe he's reading it wrong, but he gets the feeling that they might not be on the same page here. That maybe he should have been a little clearer from the get-go that he was inviting Ginsberg out on another date, since the first had gone so badly. Had he gotten that? He'd said that if it went badly he'd be two-for-two for the night, but still, something about his demeanor makes Ned think he's assuming this is merely a friendly gesture.

The question is, should he leave it that way, or do or say something that would clue him in? Stomach churning with indecision he asks, tightly, "Can I... get you something to drink? What are you having?"

"I don't really drink that much, so I don't know what people order. I mean, I know the basics, I've had alcohol before, I just don't know what's..."

What'll impress Ned as much as the choice of peach pie had, apparently. He trails off into indecisive silence for a moment, trying to figure out whether or not Ned's been flirting with him this whole time. It's kind of an egotistical assumption to make, and if he assumes that Ned's attempting to take him on a date and he's wrong about the assumption, well, to say that things would be awkward would be putting it mildly. That kind of wrong assumption could end up in something a lot worse than having pie thrown at him.

"I'll have vodka and cranberry juice, I guess. Is that something that only girls drink? Like I said, I don't know anything about alcohol. Are you a homosexual?"

He hadn't meant to blurt out that last part. Dammit. Looks like he's sitting at another table he wants to slide right under and hide.

Ned had every intention of getting up to get him that vodka and cranberry juice, but Ginsberg's subsequent question freezes him in place. He doesn't see any art behind it: it really seems as if it were a slip of the tongue. All the same, it's a hell of a thing to be asked in such a blunt way. Confrontational, even. Ned's not good with confrontational. He doesn't like either option. He could try lying, but he knows he's terrible at that, and it would really eliminate any possibility of this being a proper date. But he can't just say yes either, can he?

He looks around, surreptitiously, seeing if their conversation has caught anyone's attention. No one seems to have heard, or be looking in their direction. All the same, every bit of Ned's body language screams discomfort. Not the kind of discomfort that a straight man feels when being asked about his sexuality, either. He's certain that for anyone mildly clever, his reaction is answer enough.

There's an edge of fear to his voice when he asks, quietly, "Should I go?"

Ginsberg may be socially obtuse, to put it mildly, but even he can't miss a reaction like that one. It might as well be an answer of affirmation, even if nothing actually comes out of Ned's mouth. He recognizes that his own question had been a little blunt, completely artless, completely without any forethought, but he hadn't intend to scare Ned. It had just been a question. He immediately feels guilty for having given Ned that reaction, for Ned even having to ask that question.

He shakes his head. "No, no, I was trying to... I mean, I was just wondering because I wouldn't have a problem if you were. Because this..."

At least he has the good sense to lean a little closer, so that they won't be overheard, although nobody's paying attention to them anyway. "This kind of feels like a date. Not that I know a lot about dates, either. But this is what I imagine they're like, when they actually work out, and I don't get things thrown at me. But I wanted to make sure."

"I don't know a lot about them either, but... that was the intention. Since your last one didn't turn out so well."

Ned gives a hesitant, small smile, relaxing ever so slightly, from frozen terror back to his normal level of mild discomfort and tension. Because... Ginsberg said he didn't have a problem with that. Not just in an abstract, we-can-still-talk-civilly way, either. But after that initial confusion, Ned wants to be absolutely sure.

"So you're okay with, um. With this?" Ginsberg had been at the pie shop with a girl, after all. And something about the way he asked makes Ned wonder, "I should've been clearer when I asked you, but, y'know, a guy's got to be careful about this kind of thing."

Edited 2013-10-14 05:21 (UTC)

"I'm okay with this. I mean, I didn't expect this. I didn't go on a blind date thinking that it'd turn out this way. But I'm definitely okay with it. Somehow I have a hard time believing you don't know a lot about dates, though."

Shit. Did that sound way over the top in terms of flirtation? Now he has to figure out how to navigate that, too, and if casual chatter is hard enough, intentional flirtation is completely beyond him. The last time he'd tried to flirt with someone, well, they hadn't thrown pie at him, but they hadn't exactly reciprocated, either.

"All I mean is that it seems like you know what you're doing. That's a good thing, if you're wondering. Even if it's not true and you just know what you're doing as compared to me, because I have no idea."

"Lotta couples come into the Pie Hole. I've had plenty of opportunity to take notes." Which is true, in one way, but it's also not the whole truth. Now that the whole date foundation has been established, Ned feels as if a weight has been taken off his shoulders. He admits, "I've had girlfriends, now and then, but... it never really worked out." He smiles again, bright and shy and lopsided.

"I'll go get that drink," he says, because he needs a moment to get a grip of himself, to get over that flustered feeling. Ned goes to the bar, thinks he can feel Ginsberg watching him as he goes, but he doesn't look over his shoulder to check. A few quick words to the bartender and he's coming back with two identical glasses of dark red liquid.

"Sounded good," he says, giving Ginsberg his and resuming his seat. There's a faint blush on his cheeks that doesn't seem to want to go away, but he resolutely ignores it, asks, "So who set up the blind date?"

"Yeah, it never worked out for me, either. Except that I haven't really had girlfriends so much as a progression of increasingly awful first dates."

He's definitely watching when Ned walks away. Maybe a little too intently. Maybe he should stop staring at the back of Ned's head, because if Ned turns around and notices him, that's going to be kind of weird, no matter if this is a date or not. He's pretty sure you aren't supposed to stare at the back of your date's head, even if they have pretty nice looking hair.

As soon as Ned comes back, he takes his drink, mostly to have something to do with his hands. He's not actually sure what vodka and cranberry tastes like, but he gives it an experimental sip and finds it pleasant enough. It's a lot better than some of the stuff the guys around the office drink. He can't understand how they can tolerate alcohol that strong, but then, they like a lot of things he'll never understand.

"One of my coworkers set it up. I'm pretty sure he was playing a trick on me, now that I think of it. It's like he picked the perfectly wrong person. That can't just be a coincidence. Or I'm paranoid about the intentions of my coworkers and he actually meant well. Either way, I'm glad it's over with, and I'm glad I'm here instead."

"Yeah, me too," Ned murmurs, grinning against his glass as he takes a sip. The stuff only tastes okay to him, but he's hoping it will loosen him up a little - not too much, but enough that he isn't doing his habitual routine of overanalyzing everything he says and does, wondering what kind of impression he'll give.

"So..." he begins, searching for a topic that will ease them back into the flow of conversation before things got a but peculiar, "You said you did an ad for that carpet even though it was ugly - does that sort of thing happen often? You have to do an ad for something you think is actually terrible? Wouldn't that make it harder?"

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